nestleft.blogg.se - After effects twixtor make layer longer

AFTER EFFECTS TWIXTOR MAKE LAYER LONGER MANUAL
AFTER EFFECTS TWIXTOR MAKE LAYER LONGER PRO
AFTER EFFECTS TWIXTOR MAKE LAYER LONGER LICENSE

Only need to set Input:Frame Rate from within combustion and After Effects (the parameter has been removed for all other hosts applications).

Only need to set Output:Frame Rate in combustion (the parameter has been removed for all other hosts applications).

Ability to mark segments of your source material so that Twixtor does not interpolate inappropriately across cuts, dissolves and other transition.

Speed/Frame settings greyed out in most hosts depending on the time remapping mode of Twixtor being used.

Stretching method renamed Time Remap Mode.

Regrouped the parameters so that they are divided into Input, Track and Output parameter groupings.

This parameter now defaults to 0 instead of 0.5.

Motion blur parameter renamed Motion Blur Compensation because it now controls the removal of motion blur as well as the addition of motion blur.

AFTER EFFECTS TWIXTOR MAKE LAYER LONGER LICENSE

Added render-only license pricing for After Effects and combustion.

It also means that you no longer have to set the field interpretation on interlaced footage to None (however, you still have to tell Twixtor that you are giving it interlaced material). Instead, Twixtor pays attention to the field rendering settings of the host to determine whether to create interlaced material or not. What does this mean for you? It means you no longer set an "Output:Fields" setting for most hosts (in fact, this setting has been removed for most apps).

Better integration with host with respect to interlaced materail.

AFTER EFFECTS TWIXTOR MAKE LAYER LONGER PRO

The "Create Motion Vectors" and "Twixtor Pro 4, Vectors In" plugins remain the same and old plugins will use the new plugin, with the new features, once installed into the application's plugin folder. The new ones will show up in the applications as "Twixtor 4.5" and "Twixtor Pro 4.5." That way, your old projects will still run and load using the previous version of the two plugins (that way you don't have to worry about the new tracking in the new version screwing up older projects). You'll see that we've renamed the Twixtor 4.x and Twixtor Pro 4.x plugins as Twixtor 4.5 and Twixtor Pro 4.5. Because we've added new options in version 4.5:.Fixed a bug in the Create Motion Vector plugin where spline's Layer setting could not be set to FG2 or FG3 (combustion problem only).Now Twixtor correctly retrieves the "Use" parameter for each track point in the source timing (instead of the output Twixtor timing). Fixed a bug in Twixtor Pro where tracking points' "Use" settings were being retrieved at incorrect times.

Added a smart blending option for pans and zooms to prevent inappropriate streaking.In many cases, footage that was difficult to track becomes much more well-behaved upon retiming. Added an option to automatically enhance dark imagery or imagery with poorly defined edges.(note that the "Crossing Objects?" checkbox of previous versions is gone because the new tracking in Twixtor 4.5 takes into account crossing objects to the best of its ability).

Twixtor is much more accurate and exhibits fewer artifacts when there are objects crossing in the scene.

Tracking completely rewritten from the ground up.

If you want to slow down time so that one second of real time takes 10 seconds to play back then you either have to shoot at 10 times the normal frame rate or employ Time Remapping, Time Stretch, or Twixtor in AE go create the frames that are not there and make the motion look smooth. If you shot at 50 and you want to slow it down and see every frame then and want your comp to be 24 (23.976 would probably be a better choice) and you want to see every glorious frame then interpret the footage as 24 and 1 second of real time will take approximately 2 seconds to playback.

AFTER EFFECTS TWIXTOR MAKE LAYER LONGER MANUAL

Twixtor can be very confusing so you need to spend at least an hour studying the manual if you are trying to do significant speed changes to the footage. If the new frame rate does not match the comp frame rate then you are going to get blended, repeated, or missing frames. You do that by going to File>Interpret Footage and picking a new frame rate. If you want to change the time of the playback of any footage you have to change the frame rate of that footage. Put a 200 fps shot that is 20 seconds long and is interpreted as 200 fps in a 10 fps comp and it will still play back in real time and take be 20 seconds long. Put a 20-second clip in a comp that is 30 fps and it will take 20 seconds to playback, you will just see every other frame. The frame rate of the comp does not change the playback time of the footage. You need to spend some serious time learning about frame rates.